https://peiyaochang.com Pei-Yao Chang Thu, 12 Mar 2026 14:00:01 +0000 https://peiyaochang.com en https://peiyaochang.com/home-1 Wed, 22 Dec 2021 18:31:36 +0000 Pei-Yao Chang https://peiyaochang.com/home-1 <img width="2354" height="1721" width_o="2354" height_o="1721" data-src="https://freight.cargo.site/t/original/i/9ac1165094e10475b37aff4420c4f1f6678bd5a990d1bcc6d8d7dd4accc8c579/stilllife_02.png" data-mid="217419140" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/9ac1165094e10475b37aff4420c4f1f6678bd5a990d1bcc6d8d7dd4accc8c579/stilllife_02.png" /> <img width="2326" height="1702" width_o="2326" height_o="1702" data-src="https://freight.cargo.site/t/original/i/caf190dd2be9bca4698990fc03d09d39bc4004ada242c4a9c4a6cc34510e9a7d/stilllife_03.png" data-mid="217419141" border="0" src="https://freight.cargo.site/w/1000/i/caf190dd2be9bca4698990fc03d09d39bc4004ada242c4a9c4a6cc34510e9a7d/stilllife_03.png" /> <img width="2350" height="1834" width_o="2350" height_o="1834" data-src="https://freight.cargo.site/t/original/i/5c740331144d21391711cd96d0958f9808bc3b13ab217dadf389b4ff079dfa1b/stilllife_01.png" data-mid="219539937" border="0" src="https://freight.cargo.site/w/1000/i/5c740331144d21391711cd96d0958f9808bc3b13ab217dadf389b4ff079dfa1b/stilllife_01.png" /> still life, yet perceived as landscape (studies),&nbsp;2024 https://peiyaochang.com/index Tue, 20 Dec 2022 00:45:20 +0000 Pei-Yao Chang https://peiyaochang.com/index /&nbsp;home / /&nbsp; works / still life, perceived as landscape resonance, unending shimmering in your sphere the sublime, after all a figure, figures II a reconciliation tree guard one breath space exploration temporality / about / ︎ &nbsp;︎ © pei-yao chang 2026 https://peiyaochang.com/still-life-perceived-as-landscape Thu, 12 Mar 2026 14:00:01 +0000 Pei-Yao Chang https://peiyaochang.com/still-life-perceived-as-landscape still life, perceived as landscape 2024– ongoing artistic research │├─ Still Life, yet perceived as landscapes (studies) I–III │ (drawing studies, Slade School of Fine Art, 2024)│├─ Material Experiments: Clay, Glaze, Ash (2025– )│├─ Still Life, Perceived as Landscape │ &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; — Before They Appear I–II (2026–) │├─&nbsp;Shells of an Unmade Realm (2026– ) │&nbsp; &nbsp; &nbsp; • Shells of an Unmade Realm I–III│ • Shells of an Unmade Realm │ &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; — Proto-Landforms (set of 8)│ Beginning from a still life,shifting into a landscape,dissolving borders between artefacts and surroundings, attuning slowly — again, and again. “Do you know how love should be begun?”&nbsp; — Carson McCullers This ongoing artistic research investigates how acts of perception transform still life into landscape. Beginning with drawing studies developed during an experimental session at Slade School of Fine Art in 2024, the project has gradually expanded into material explorations with clay, glaze, ash, and fire. Through fragments, surfaces, and small terrains, including layered sediments and ash washes, the work traces how objects, materials, and environments dissolve into one another. Each piece functions both as an individual observation and as part of a larger, evolving landscape. The practice traces a learning process of perceiving the world—like in McCullers’ 𝘈 𝘛𝘳𝘦𝘦. 𝘈 𝘙𝘰𝘤𝘬. 𝘈 𝘊𝘭𝘰𝘶𝘥.—where perception itself becomes a form of love. &nbsp;&nbsp; &nbsp;- - - - - - - - &nbsp;preface &nbsp;- - - - - - - - 2024 <img width="2350" height="1834" width_o="2350" height_o="1834" data-src="https://freight.cargo.site/t/original/i/5c740331144d21391711cd96d0958f9808bc3b13ab217dadf389b4ff079dfa1b/stilllife_01.png" data-mid="245941537" border="0" src="https://freight.cargo.site/w/1000/i/5c740331144d21391711cd96d0958f9808bc3b13ab217dadf389b4ff079dfa1b/stilllife_01.png" /> <img width="2354" height="1721" width_o="2354" height_o="1721" data-src="https://freight.cargo.site/t/original/i/9ac1165094e10475b37aff4420c4f1f6678bd5a990d1bcc6d8d7dd4accc8c579/stilllife_02.png" data-mid="245941539" border="0" src="https://freight.cargo.site/w/1000/i/9ac1165094e10475b37aff4420c4f1f6678bd5a990d1bcc6d8d7dd4accc8c579/stilllife_02.png" /> <img width="2326" height="1702" width_o="2326" height_o="1702" data-src="https://freight.cargo.site/t/original/i/caf190dd2be9bca4698990fc03d09d39bc4004ada242c4a9c4a6cc34510e9a7d/stilllife_03.png" data-mid="245941538" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/caf190dd2be9bca4698990fc03d09d39bc4004ada242c4a9c4a6cc34510e9a7d/stilllife_03.png" /> Still Life, yet perceived as landscapes (studies) I-III 2024 Mixed media on paper 148 x 210 mm This series of practice works explores the paradoxical and meditative shifts between perception and reality, echoing the insight that “mountains are mountains, waters are waters.” By allowing still life to appear, dissolve, and reappear as landscape, these studies invite viewers to reconsider what they think they see—revealing how appearance and truth continually fold into one another. - - - - - - - -&nbsp;berfore they appear &nbsp; - - - - - - - -2026 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; <img width="5697" height="4273" width_o="5697" height_o="4273" data-src="https://freight.cargo.site/t/original/i/7925ce5382ec52ac53bdc9449216571efce74589970413a895d7296528eb0c20/Before-They-Appear-I--2026s.jpeg" data-mid="245943995" border="0" src="https://freight.cargo.site/w/1000/i/7925ce5382ec52ac53bdc9449216571efce74589970413a895d7296528eb0c20/Before-They-Appear-I--2026s.jpeg" /> <img width="5712" height="4284" width_o="5712" height_o="4284" data-src="https://freight.cargo.site/t/original/i/e57906af886d245643523d5132a68e7bfdd082870d8384f6fd9913417cf635bc/Before-They-Appear-II--2026s.jpeg" data-mid="245943996" border="0" src="https://freight.cargo.site/w/1000/i/e57906af886d245643523d5132a68e7bfdd082870d8384f6fd9913417cf635bc/Before-They-Appear-II--2026s.jpeg" /> Still Life, Perceived as Landscape — Before They Appear I–II 2026 stoneware (USA), Shino slip (Japan), rice straw ash wash (Taiwan) 147 × 110 × 20 mm stoneware (USA), Shino slip (Japan), white pine needle ash wash (Taiwan) 145 × 110 × 23 mm Emerging from the 2024 drawing studies where still life first shifted toward landscape, these works continue the research through clay and ash. Each surface records a moment before form fully appears— a quiet threshold where materials begin to speak, and where perception moves with them, slowly, into becoming. This series remains open-ended, unfolding through ongoing attempts to sense how landscapes might take shape before they arrive. - - - - - - -- shells of an unmade realm&nbsp;- - - - - - - -2026 <img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/833618c61a7eab1d4e467b35ab7c05400f02f5bcb34a8d587f24d222567d5ec6/Shells-of-an-Unmade-Realm--2026_01s.jpeg" data-mid="245944164" border="0" src="https://freight.cargo.site/w/1000/i/833618c61a7eab1d4e467b35ab7c05400f02f5bcb34a8d587f24d222567d5ec6/Shells-of-an-Unmade-Realm--2026_01s.jpeg" /> <img width="4280" height="5707" width_o="4280" height_o="5707" data-src="https://freight.cargo.site/t/original/i/930c0e21ed46e42363ec25b426e314f060fe61a0a8dac75e95d3d2ef3e217aa2/Shells-of-an-Unmade-Realm--2026_02s.jpeg" data-mid="245944165" border="0" src="https://freight.cargo.site/w/1000/i/930c0e21ed46e42363ec25b426e314f060fe61a0a8dac75e95d3d2ef3e217aa2/Shells-of-an-Unmade-Realm--2026_02s.jpeg" /> <img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/187d498bbe6b9ba706cc4e6c268327a44d97345477b7f00d5afd614b3e4b3661/Shells-of-an-Unmade-Realm-I--2026_02s.jpg" data-mid="245944163" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/187d498bbe6b9ba706cc4e6c268327a44d97345477b7f00d5afd614b3e4b3661/Shells-of-an-Unmade-Realm-I--2026_02s.jpg" />&nbsp; &nbsp;&nbsp;<img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/3add53fa3cbd897c1ac55747b9559e10ccbb59a1d95540c4d3085adcad3bf5c4/Shells-of-an-Unmade-Realm-II--2026_02s.jpg" data-mid="245944162" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/3add53fa3cbd897c1ac55747b9559e10ccbb59a1d95540c4d3085adcad3bf5c4/Shells-of-an-Unmade-Realm-II--2026_02s.jpg" /> Shells of an Unmade Realm I-II 2026 stoneware, glaze, rice straw and white pine needle ash wash 170 x 160 x 40 mm 160 x 170 x 40 mm Shells of an Unmade Realm is a series emerging from this material investigation. Working with clay bodies, ash deposits, and glaze fragments, the pieces resemble partial crusts, sedimentary surfaces, or fragments of an unfinished terrain. - - - - - - - - proto-landforms - - - - - - - - 2026 <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e8a06580620ac3641acb361f652ec42881096e0af54c09c836c8ff0009155e3b/Proto-Landforms_01.jpg" data-mid="245947147" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/e8a06580620ac3641acb361f652ec42881096e0af54c09c836c8ff0009155e3b/Proto-Landforms_01.jpg" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fed82ebc2bc8ebbc58fc1c1ab668abbb78f38cd04d6a054b0de79abe9484e593/Proto-Landforms_02.jpg" data-mid="245947145" border="0" src="https://freight.cargo.site/w/1000/i/fed82ebc2bc8ebbc58fc1c1ab668abbb78f38cd04d6a054b0de79abe9484e593/Proto-Landforms_02.jpg" /> <img width="1902" height="2048" width_o="1902" height_o="2048" data-src="https://freight.cargo.site/t/original/i/40e87e188fcaebdaafe7c2efcb5131168bfb18b17a23173b240e26c94e7afd8b/Proto-Landforms_04.jpg" data-mid="245947143" border="0" src="https://freight.cargo.site/w/1000/i/40e87e188fcaebdaafe7c2efcb5131168bfb18b17a23173b240e26c94e7afd8b/Proto-Landforms_04.jpg" /> <img width="1969" height="2048" width_o="1969" height_o="2048" data-src="https://freight.cargo.site/t/original/i/4e07abf7e2f9aaba2d9fb09afda29e6a707487916f982692793512191b6ad924/Proto-Landforms_05.jpg" data-mid="245947144" border="0" src="https://freight.cargo.site/w/1000/i/4e07abf7e2f9aaba2d9fb09afda29e6a707487916f982692793512191b6ad924/Proto-Landforms_05.jpg" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/18fd2f40ea5b310be0c80834a87fdf354834a49fc6ec3f2317682022897960a4/Proto-Landforms_03.jpg" data-mid="245947146" border="0" src="https://freight.cargo.site/w/1000/i/18fd2f40ea5b310be0c80834a87fdf354834a49fc6ec3f2317682022897960a4/Proto-Landforms_03.jpg" /> Shells of an Unmade Realm — Proto-Landforms (Set of 8) 2026Found wood box, clay, glaze and ash experiments in miniature landformsDimensions variable https://peiyaochang.com/resonance-unending Wed, 04 Sep 2024 19:47:25 +0000 Pei-Yao Chang https://peiyaochang.com/resonance-unending resonance, unending Pei-Yao Chang &amp; Christina Tai Duo Exhibition Space Moor Gallery / Zhengbin Harbour Museum of Art, Keelung, Taiwan 20-28 April, 2024 Currents flow ceaselessly into the ocean, our eternal yearning and interrogation of the boundless horizon stretch endlessly beyond the here and now. “Resonance, Unending” originated from a journey of two practitioners to the seaside town of Margate. Its coastline has inspired countless artists to transform sensory experiences into creations, leaving traces that traverse time and space. Seeking to comprehend this unutterable perceptual experiences, they explore ideas through respective interpretations and different mediums and techniques, anchored by the aesthetic concept of the 'Sublime' as the curatorial axis of this exhibition. By intertwining perspectives and works, they aim to open up an infinite dialogue with the viewers. Kant proposed the philosophical concept of the 'Sublime,' describing it as an experience of awe and frustration when facing something beyond our control or understanding. It involves transforming the negative feeling of limitation into a positive harvest.1&nbsp; This concept articulates humanity's awareness of its own insignificance and mediocrity in the face of grand natural phenomena. Our bodies may perish, but the sensory experiences encapsulated in artworks can transcend time. This exhibition aims to juxtapose and articulate the collision and tension between individual consciousnesses, as the two artists deconstruct and express their shared experiences and reflections through artistic research. Returning to their familiar land in Taiwan, they reset their works beside another ocean, hoping to stimulate an ongoing dialogue that echoes endlessly through different people, times, and spaces. 1&nbsp;Morley, S. and Whitechapel Art Gallery (2010). The sublime. London: Whitechapel Gallery, pp.15-16. <img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6652d300dc405593e5b15916b577e4caeaa87631270cd603bc23e9e2753123c4/resonance--unending.JPG" data-mid="217493446" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/6652d300dc405593e5b15916b577e4caeaa87631270cd603bc23e9e2753123c4/resonance--unending.JPG" />&nbsp;&nbsp; &nbsp; <img width="2083" height="3377" width_o="2083" height_o="3377" data-src="//freight.cargo.site/t/original/i/73f01c55422b5f84c072b7df0cf1388d14aa65c102153382922dfcd1dacd8284/resonance--unending_01-2.jpg" data-mid="217498542" border="0" style="width: 488.138px; height: 791.379px; display: none;" data-scale="62"><img width="2083" height="3377" width_o="2083" height_o="3377" data-src="https://freight.cargo.site/t/original/i/1fc36215ea05b33d303e882415dc7df63901fa9c0acdf3b8f22b7e13365d33bb/resonance--unending_01-2.jpg" data-mid="217617548" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/1fc36215ea05b33d303e882415dc7df63901fa9c0acdf3b8f22b7e13365d33bb/resonance--unending_01-2.jpg" />&nbsp; &nbsp; &nbsp;<img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f1bad26518fcfb66fc42f9ba709aeff85bef4ed10799dc92c6f2bbd42894e147/resonance--unending_01s.jpg" data-mid="217496537" border="0" data-scale="37" src="https://freight.cargo.site/w/1000/i/f1bad26518fcfb66fc42f9ba709aeff85bef4ed10799dc92c6f2bbd42894e147/resonance--unending_01s.jpg" />&nbsp; <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/62dc55ebd328bc03162afee81b0d020dac898d71ba1fcc93e70e78e34c73814d/resonance--unending_02-2s.jpg" data-mid="217496538" border="0" src="https://freight.cargo.site/w/1000/i/62dc55ebd328bc03162afee81b0d020dac898d71ba1fcc93e70e78e34c73814d/resonance--unending_02-2s.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8b0c133fc23547b5555ba95b1802be20edf5ebdfaeecb4c02266f513c428f2c6/resonance--unending_02-3s.jpg" data-mid="217496539" border="0" src="https://freight.cargo.site/w/1000/i/8b0c133fc23547b5555ba95b1802be20edf5ebdfaeecb4c02266f513c428f2c6/resonance--unending_02-3s.jpg" /> *photo credit- - - - - - - - <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9084ea86b05b66581b511f0083e537ab9818e941575adbb10e676185925247fa/resonance--unending_03s.jpg" data-mid="217496540" border="0" src="https://freight.cargo.site/w/1000/i/9084ea86b05b66581b511f0083e537ab9818e941575adbb10e676185925247fa/resonance--unending_03s.jpg" /> Seascape III-V (Margate) 2024 Oil on found panel 23 x 10 x 0.1 cm (from the series of The Sublime, After All) - - - - - - - - &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="1102" height="1960" width_o="1102" height_o="1960" data-src="https://freight.cargo.site/t/original/i/a22fa7b5a5217721e3fa10b22fd74eee001426c4812c13c5083b612b79364387/resonance--unending_04-2s.png" data-mid="217494447" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/a22fa7b5a5217721e3fa10b22fd74eee001426c4812c13c5083b612b79364387/resonance--unending_04-2s.png" /> &nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;<img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/edfb421d988a7b4aff2566e7606b748d6c63a5aa17795c49259c9f1e22346515/resonance--unending_04-1s.jpg" data-mid="217496541" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/edfb421d988a7b4aff2566e7606b748d6c63a5aa17795c49259c9f1e22346515/resonance--unending_04-1s.jpg" /> Margate, 22FEB23 2024moving image, 1 min, looped*watch full moving image link here: &nbsp;https://vimeo.com/1006348042?share=copy&nbsp; - - - - - - - - <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1cf0e079bef4e767f597be9ead790c2abe15a2ce03db27eb77d8629a249e621b/resonance--unending_05s.jpg" data-mid="217496545" border="0" src="https://freight.cargo.site/w/1000/i/1cf0e079bef4e767f597be9ead790c2abe15a2ce03db27eb77d8629a249e621b/resonance--unending_05s.jpg" />*photo credit <img width="1470" height="1960" width_o="1470" height_o="1960" data-src="https://freight.cargo.site/t/original/i/c5afb0852375fee39c6a84ef2b98af30d3bb830108f2192632d361fee9dc51c9/resonance--unending_05-4.jpg" data-mid="217617388" border="0" src="https://freight.cargo.site/w/1000/i/c5afb0852375fee39c6a84ef2b98af30d3bb830108f2192632d361fee9dc51c9/resonance--unending_05-4.jpg" /> <img width="1469" height="1960" width_o="1469" height_o="1960" data-src="https://freight.cargo.site/t/original/i/eaee1add73846a8cf9bf8128d893b4e54bac557d2df2ba493143484251d835fd/resonance--unending_05-5.jpg" data-mid="217617389" border="0" src="https://freight.cargo.site/w/1000/i/eaee1add73846a8cf9bf8128d893b4e54bac557d2df2ba493143484251d835fd/resonance--unending_05-5.jpg" /> <img width="1469" height="1960" width_o="1469" height_o="1960" data-src="https://freight.cargo.site/t/original/i/9035b81bd102fb66bd61699df8f7589fac955e9dd2e9dbfd42f4cf39ef6af521/resonance--unending_05-6.jpg" data-mid="217617390" border="0" src="https://freight.cargo.site/w/1000/i/9035b81bd102fb66bd61699df8f7589fac955e9dd2e9dbfd42f4cf39ef6af521/resonance--unending_05-6.jpg" /> Sketchbook 2024 mixed media, watercolour 135 x 210 x 15 mm A log of Artist in Residence at Space Moor Gallery, Zhengbin Harbour Museum of Art in Keelung, Taiwan, in April 2024.- - - - - - - - <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/b286a4c210536106dcae983972e297a8b24eaa1d0ca65e1036c47b9006ca2776/resonance--unending_06-1s.jpg" data-mid="217496546" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/b286a4c210536106dcae983972e297a8b24eaa1d0ca65e1036c47b9006ca2776/resonance--unending_06-1s.jpg" />&nbsp;&nbsp;<img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/b2f61de84cc716df8ab95cf26ef2ea7b5f4b5052539c4363dc3b1d37c7ff4833/resonance--unending_06-2s.jpg" data-mid="217496547" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/b2f61de84cc716df8ab95cf26ef2ea7b5f4b5052539c4363dc3b1d37c7ff4833/resonance--unending_06-2s.jpg" /> Shimmering in Your Sphere 01-04 2024 Charcoal and Charcoal Pencils on Paper 285 x 210 mm details link ‘shimmering in your sphere’.&nbsp; *photo credit :&nbsp; Zhengbin Art&nbsp; 星濱山工作室 https://peiyaochang.com/shimmering-in-your-sphere Wed, 08 May 2024 11:57:42 +0000 Pei-Yao Chang https://peiyaochang.com/shimmering-in-your-sphere shimmering in your sphere 2024&nbsp;Charcoal and Charcoal Pencils on Paper 285 x 210 mm In this realm of waves and whispers, where the port meets the sea, I, adrift, intend to capture the gleaming upon the water. Amongst these reflections, my research 'Shimmering in Your Sphere' takes form, capturing the essence of light as it gleams like stars in the night sky, mirroring the vastness of planets in their orbits. I am like a navigator, a sailor temporarily moored in this space yet ready to unfurl my sails toward another horizon of uncertainty, ever drawn by the allure of awe and wonderment that the ocean's shimmering depths promise. Note: Pei-Yao Chang participated in an Artist in Residency at Space Moor Gallery (Zhengbin Harbour Museum of Art) in Keelung, Taiwan, in April 2024. Through this residency, she followed the rhythm of Keelung, tracing along the maritime history and footpaths, and used mediums such as, lens-based media, charcoal, and watercolour to document this journey. Among them, a series of artworks titled "Shimmering in Your Sphere" drew inspiration from the changing light and shadows on the sea surface in the bay of Zhengbin Fishing Port. The artist captured the shimmering waves of Zhengbin Harbor in both daytime and nighttime, under clear skies and rainy days, akin to the twinkling of stars in celestial bodies, as if traversing another time and space, gently descending under this starry sky. <img width="6352" height="4235" width_o="6352" height_o="4235" data-src="https://freight.cargo.site/t/original/i/8f7b7ffa2ba19d6f3dc54467e75d4ae8b6e026a9f1351dacc033f2eb2f5da4e1/show_01.jpg" data-mid="210523621" border="0" src="https://freight.cargo.site/w/1000/i/8f7b7ffa2ba19d6f3dc54467e75d4ae8b6e026a9f1351dacc033f2eb2f5da4e1/show_01.jpg" /><img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/590c39b41d5c66073c8ebc9230e30789d8b7326fb8627115dfd233efa4365fd7/show_02.jpg" data-mid="210523620" border="0" src="https://freight.cargo.site/w/1000/i/590c39b41d5c66073c8ebc9230e30789d8b7326fb8627115dfd233efa4365fd7/show_02.jpg" /> <img width="3737" height="4986" width_o="3737" height_o="4986" data-src="https://freight.cargo.site/t/original/i/bbb1e323f2e6bacb5762fea7236e29693c95c5a614b28f3a48d2ffc66c99841b/Shimmering-in-Your-Sphere_01.jpg" data-mid="210519517" border="0" src="https://freight.cargo.site/w/1000/i/bbb1e323f2e6bacb5762fea7236e29693c95c5a614b28f3a48d2ffc66c99841b/Shimmering-in-Your-Sphere_01.jpg" /> <img width="3737" height="4986" width_o="3737" height_o="4986" data-src="https://freight.cargo.site/t/original/i/8340f35b86b7c4f11a216b2d43998552f00eb7071151e5ffcc2f4f1c4e2fdb94/Shimmering-in-Your-Sphere_02.jpg" data-mid="210519516" border="0" src="https://freight.cargo.site/w/1000/i/8340f35b86b7c4f11a216b2d43998552f00eb7071151e5ffcc2f4f1c4e2fdb94/Shimmering-in-Your-Sphere_02.jpg" /> <img width="3737" height="4986" width_o="3737" height_o="4986" data-src="https://freight.cargo.site/t/original/i/1280c04c6010e5cfb1c1d9357da88e9167ce4d55d76413daa2261b453308092e/Shimmering-in-Your-Sphere_03.jpg" data-mid="210519515" border="0" src="https://freight.cargo.site/w/1000/i/1280c04c6010e5cfb1c1d9357da88e9167ce4d55d76413daa2261b453308092e/Shimmering-in-Your-Sphere_03.jpg" /> <img width="3737" height="4986" width_o="3737" height_o="4986" data-src="https://freight.cargo.site/t/original/i/ba792b82d1f8896e5a741cccfa20100756b02d2e6fcccd58f16f3488808cc4a2/Shimmering-in-Your-Sphere_04.jpg" data-mid="210519514" border="0" src="https://freight.cargo.site/w/1000/i/ba792b82d1f8896e5a741cccfa20100756b02d2e6fcccd58f16f3488808cc4a2/Shimmering-in-Your-Sphere_04.jpg" /> Shimmering in your sphere 01-04, 2024 &nbsp; Charcoal and Charcoal Pencils on Paper 285 x 210 mm - - - - - - - -&nbsp; <img width="3509" height="2482" width_o="3509" height_o="2482" data-src="https://freight.cargo.site/t/original/i/9f94283f25530d9405962b060abd9d2fc15ba1cf28ffeca039effc14384651bd/study_01.jpg" data-mid="216220847" border="0" src="https://freight.cargo.site/w/1000/i/9f94283f25530d9405962b060abd9d2fc15ba1cf28ffeca039effc14384651bd/study_01.jpg" /> Shimmering in your sphere (studies) 01-02&nbsp; 2024 Digital Print on tracing paper <img width="1470" height="1711" width_o="1470" height_o="1711" data-src="https://freight.cargo.site/t/original/i/03b662c263e04d9e712b5e2c9dd6a97b472e6c41163dbff3d1ac32bfaa380583/A-Lovers-Churchyard_01.jpg" data-mid="217623123" border="0" src="https://freight.cargo.site/w/1000/i/03b662c263e04d9e712b5e2c9dd6a97b472e6c41163dbff3d1ac32bfaa380583/A-Lovers-Churchyard_01.jpg" /><img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e6586e1c39d1e63c3b3dacdedb505644730e444258e1edd5fbe95cbeb319e531/A-Lovers-Churchyard_02.jpg" data-mid="217623124" border="0" src="https://freight.cargo.site/w/1000/i/e6586e1c39d1e63c3b3dacdedb505644730e444258e1edd5fbe95cbeb319e531/A-Lovers-Churchyard_02.jpg" /> <img width="1568" height="1960" width_o="1568" height_o="1960" data-src="https://freight.cargo.site/t/original/i/2cba07a7b2230b5f4f93917b1749c7d0981c38371f6e252f97b8634b4554134d/study01_01.jpg" data-mid="217623126" border="0" src="https://freight.cargo.site/w/1000/i/2cba07a7b2230b5f4f93917b1749c7d0981c38371f6e252f97b8634b4554134d/study01_01.jpg" />Shimmering in your sphere (studies) 01&nbsp; 2024 440 x 320 x 35 mm (framed) *this body of works have exhibited at A Lovers Churchyard in London, 2024&nbsp; https://peiyaochang.com/the-sublime-after-all Mon, 15 Jan 2024 01:03:10 +0000 Pei-Yao Chang https://peiyaochang.com/the-sublime-after-all the sublime, after all 2023 - ongoing oil painting ‘The sublime is not an ontology but a phenomenology, not a special essence of certain things but rather an experience of a particular kind, born out of the encounter between consciousness and the world.’[1] This is an ongoing series which explores the profound and awe-inspiring moments experienced through the encounter between consciousness and seascapes. [1] Levine, Steven Z. “Seascapes of the Sublime: Vernet, Monet, and the Oceanic Feeling.” New Literary History, vol. 16, no. 2, 1985, pp. 377–400. JSTOR, https://doi.org/10.2307/468752. Accessed 15 Jan. 2024. <img width="879" height="1240" width_o="879" height_o="1240" data-src="https://freight.cargo.site/t/original/i/2511ab42adc9f926175210e1da54b3c32daf2783adfd97198d099f918d9f96ab/Untitled--2023_unframed.jpg" data-mid="201727935" border="0" data-scale="47" src="https://freight.cargo.site/w/879/i/2511ab42adc9f926175210e1da54b3c32daf2783adfd97198d099f918d9f96ab/Untitled--2023_unframed.jpg" />Unitited, 2023&nbsp; Oil on found board 135 x 190 mm <img width="1757" height="1423" width_o="1757" height_o="1423" data-src="https://freight.cargo.site/t/original/i/39f5e485036b26c7ea74c23bbd79539732f9d191dffc6115f24b31b58b234055/Seascape-I-Margate--2023.png" data-mid="217548198" border="0" src="https://freight.cargo.site/w/1000/i/39f5e485036b26c7ea74c23bbd79539732f9d191dffc6115f24b31b58b234055/Seascape-I-Margate--2023.png" /> <img width="1920" height="1534" width_o="1920" height_o="1534" data-src="https://freight.cargo.site/t/original/i/4badddaa1d17eb884a3f14438ea047e36bb0c561e2f02621b515599dd588fac9/Seascape-II-Margate--2023.png" data-mid="217548197" border="0" src="https://freight.cargo.site/w/1000/i/4badddaa1d17eb884a3f14438ea047e36bb0c561e2f02621b515599dd588fac9/Seascape-II-Margate--2023.png" /> Seascape I-II (Margate), 2023 Oil on canvas board 254 x 203 mm &nbsp; <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9084ea86b05b66581b511f0083e537ab9818e941575adbb10e676185925247fa/resonance--unending_03s.jpg" data-mid="217547878" border="0" src="https://freight.cargo.site/w/1000/i/9084ea86b05b66581b511f0083e537ab9818e941575adbb10e676185925247fa/resonance--unending_03s.jpg" /> <img width="1920" height="866" width_o="1920" height_o="866" data-src="https://freight.cargo.site/t/original/i/939551a6884f0195151238a8f3a17aeb3a8a11e16520b96b975698a7326da9d8/seascape-VMargate--2024.png" data-mid="217548204" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/939551a6884f0195151238a8f3a17aeb3a8a11e16520b96b975698a7326da9d8/seascape-VMargate--2024.png" /><img width="1920" height="896" width_o="1920" height_o="896" data-src="https://freight.cargo.site/t/original/i/fdc51dd601acdb4d1c7f6e51a94c7b11f29d02bf21b234e07e384c10fa155697/Seascape-III-Margate--2024.png" data-mid="217548202" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/fdc51dd601acdb4d1c7f6e51a94c7b11f29d02bf21b234e07e384c10fa155697/Seascape-III-Margate--2024.png" /><img width="1920" height="877" width_o="1920" height_o="877" data-src="https://freight.cargo.site/t/original/i/ae243a11ee051cb7917269cc31e1e9f6cf43b054bf974c7950da8d2c76e30dc3/seascape-IV-Margate--2024.png" data-mid="217548203" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/ae243a11ee051cb7917269cc31e1e9f6cf43b054bf974c7950da8d2c76e30dc3/seascape-IV-Margate--2024.png" /> Seascape III-V (Margate), 2024Oil on found panel 23 x 10 x 0.1 cm&nbsp; https://peiyaochang.com/a-figure-figures-II Tue, 21 Dec 2021 21:20:07 +0000 Pei-Yao Chang https://peiyaochang.com/a-figure-figures-II a figure, figures II 2022soil and compost variable dimensions ‘A Figure, Figures II’ is a series of temporary sculptures reproduced from soil and compost. This is an extension work of ‘A Figure, Figures’ - both a data visualization and a pun, and is presented at the Royal College of Art Graduate Show 2022, Battersea South campus. The title plays on the polysemous meanings of the word figure, as both “shape” and “monetary value” which is thus deconstructed and transformed from one of many visual amenity valuation tools, The Helliwell System. A three dimensional organic texture, unlike flat Risographs (from A Figure, Figures), seeks to extend another possibility to contextualize of non-human perspective. This body of artwork aspires to reveal the evaluation workflow through&nbsp; monetary value and provokes us to consider the limitations of how humans assess the value of a tree. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c22af0f2239609d346648d5692e9055704a5c84a7f6604c515f5d470088ac824/DSC_0022.jpg" data-mid="150776672" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/c22af0f2239609d346648d5692e9055704a5c84a7f6604c515f5d470088ac824/DSC_0022.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/71045d8f834ea97e8e32c4e363e3bb0be3b0d102093cfdbba8d51f5cbf7d8c85/DSC_0001.jpg" data-mid="150776669" border="0" src="https://freight.cargo.site/w/1000/i/71045d8f834ea97e8e32c4e363e3bb0be3b0d102093cfdbba8d51f5cbf7d8c85/DSC_0001.jpg" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/27d5c2337377d4422373079ac4a2dbf74c144c945924de15ccd379ef5bd5c7fb/DSC_0007.jpg" data-mid="150776671" border="0" src="https://freight.cargo.site/w/1000/i/27d5c2337377d4422373079ac4a2dbf74c144c945924de15ccd379ef5bd5c7fb/DSC_0007.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3de88d2c737dbb7c766baea1974dbdf0b97f2d8ae0f492b12e95409b4cbeada5/DSC_0036.jpg" data-mid="150776668" border="0" src="https://freight.cargo.site/w/1000/i/3de88d2c737dbb7c766baea1974dbdf0b97f2d8ae0f492b12e95409b4cbeada5/DSC_0036.jpg" /> 3D printing modeling process <img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ab69590bb7e71f4e3f872a6e9378c8d8aae20ea4eca3e7de9fb5eb88a6e529b6/01.jpg" data-mid="186675728" border="0" src="https://freight.cargo.site/w/1000/i/ab69590bb7e71f4e3f872a6e9378c8d8aae20ea4eca3e7de9fb5eb88a6e529b6/01.jpg" /> <img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bf4648b115c7e54ac8e6692e88c5a40833eebe1a64a96a61d55469cd74859c15/02.jpg" data-mid="186675729" border="0" src="https://freight.cargo.site/w/1000/i/bf4648b115c7e54ac8e6692e88c5a40833eebe1a64a96a61d55469cd74859c15/02.jpg" /> *3D printing/modeling technical support: Ming-Chieh (Woody) Chang&nbsp; https://peiyaochang.com/a-reconciliation-2 Thu, 18 Aug 2022 05:41:30 +0000 Pei-Yao Chang https://peiyaochang.com/a-reconciliation-2 a reconciliation2021 - 2022Mixed medium ‘Son, do you know how love should be begun?’The boy sat small and listening and still. Slowly he shook his head.The old man leaned closer and whispered:‘A tree. A rock. A cloud.’A Tree. A Rock. A Cloud, Carson McCullers In the United Kingdom (UK) a tree, group of trees or a woodland subject to a Tree Preservation Orders (TPO) cannot be removed, uprooted or pruned without written consent. &nbsp;It is not easy to apply TPOs for trees. TPOs are made by local planning authorities (LPAs) in England to protect trees in the interests of ‘amenity’, or attractiveness of a place. However, the boundary between human property and trees' roots and branches in their natural state could result in controversy, even a legal challenge. How do we evaluate ‘amenity’ for a monetary value for a court case? What could unfold, if however, we instead take a non-human perspective? What could ‘amenity’ mean for trees? A Reconciliation is an&nbsp; artistic research project that rethinks the boundary and tensions between human / non-human relationships in a legal context. The project is a multiple-media installation that includes an archive of legal cases, digital prints, and an analog memory box to compose a trio of artefacts,&nbsp;[2016] UKUT 300 (LC),&nbsp;A Figure, Figures&nbsp;and ‘A Tree, A Stone, A Cloud’. Within this reconciliatory journey, audiences are invited to travel from a legal procedure through affective aspects, through space and time, and re-imagine TPO regulation from the perspective of urban trees in the UK whilst simultaneously opening intimate conversations and connections with trees. Link here to see Royal College of Art’s 2022 graduate online exhibition <img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/a35e0e2df1c6146b6e8e09cba1f46e67bdc2eabc377871cef0182f483af51135/2016_1.jpg" data-mid="150708707" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a35e0e2df1c6146b6e8e09cba1f46e67bdc2eabc377871cef0182f483af51135/2016_1.jpg" /> [2016] UKUT 300 (LC), 2022 <img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/12cce75138fffe8c2bf92e4111b01997aa819ee2d1fe422f96a6c131140821e9/figures_01.jpg" data-mid="150708708" border="0" src="https://freight.cargo.site/w/1000/i/12cce75138fffe8c2bf92e4111b01997aa819ee2d1fe422f96a6c131140821e9/figures_01.jpg" />A Figure, Figures, 2022 <img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/dad1409cbaed4d705564abe1ecc4f862cafd27b8f30b994422319dadc87911d1/cover_2_3.jpg" data-mid="150708706" border="0" src="https://freight.cargo.site/w/1000/i/dad1409cbaed4d705564abe1ecc4f862cafd27b8f30b994422319dadc87911d1/cover_2_3.jpg" /> ‘A Tree, A Stone, A Cloud’, 2022 https://peiyaochang.com/2016-UKUT-300-LC Thu, 18 Aug 2022 05:24:58 +0000 Pei-Yao Chang https://peiyaochang.com/2016-UKUT-300-LC [2016] UKUT 300 (LC)2022Mixed medium393 x 116 x 515 mm, 297x210 mm [2016] UKUT 300 (LC) presents the research background. The documentation comprises a legal compensation case which involved TPOs in Patchway, UK and an infographic. This visualization explains in a comprehensible form the facts of the case and opens a space for a dialogue between urban trees, the damaged conservatory, and legal processes. ︎a figure, figures ︎a tree, a stone, a cloud ︎︎︎ back to ‘a&nbsp;reconciliation’&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; <img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/a35e0e2df1c6146b6e8e09cba1f46e67bdc2eabc377871cef0182f483af51135/2016_1.jpg" data-mid="150771327" border="0" src="https://freight.cargo.site/w/1000/i/a35e0e2df1c6146b6e8e09cba1f46e67bdc2eabc377871cef0182f483af51135/2016_1.jpg" /> <img width="3508" height="2481" width_o="3508" height_o="2481" data-src="https://freight.cargo.site/t/original/i/4b1003e8022f1c90ca970659b8614711e474be54084d19dc8a660781cb05cafe/2016_3.jpg" data-mid="150771413" border="0" src="https://freight.cargo.site/w/1000/i/4b1003e8022f1c90ca970659b8614711e474be54084d19dc8a660781cb05cafe/2016_3.jpg" /> <img width="3509" height="2482" width_o="3509" height_o="2482" data-src="https://freight.cargo.site/t/original/i/b07ebe6d58d663afcbfe11723199d60039aca4c7bcab555cca455804677cd3c4/2016_4.jpg" data-mid="150771414" border="0" src="https://freight.cargo.site/w/1000/i/b07ebe6d58d663afcbfe11723199d60039aca4c7bcab555cca455804677cd3c4/2016_4.jpg" /> The original document of Law case –&nbsp;Source: http://www.bailii.org/uk/cases/UKUT/LC/2016/300.pdf <img width="3509" height="2481" width_o="3509" height_o="2481" data-src="https://freight.cargo.site/t/original/i/7577273c542ad6e087349ca374c8350d567bea78c3e5e9af3e9462ca9f5e4176/2016_4-02.jpg" data-mid="150771416" border="0" src="https://freight.cargo.site/w/1000/i/7577273c542ad6e087349ca374c8350d567bea78c3e5e9af3e9462ca9f5e4176/2016_4-02.jpg" /> <img width="3509" height="2481" width_o="3509" height_o="2481" data-src="https://freight.cargo.site/t/original/i/87dd1bc1c8497fcb302dd87393c14c85ddb13c4fd812caf738ca47d0a4020699/2016_4-03.jpg" data-mid="150771415" border="0" src="https://freight.cargo.site/w/1000/i/87dd1bc1c8497fcb302dd87393c14c85ddb13c4fd812caf738ca47d0a4020699/2016_4-03.jpg" /> The artworks illustrate the feature of trees from the law case of [2016] UKUT 300 (LC) From left to right: Oak, Eucalyptus, Conifer, and Magnolia Medium: Grinding Ink on Shuen Paper |&nbsp; Size: 680 x 340 mm <img width="2482" height="3509" width_o="2482" height_o="3509" data-src="https://freight.cargo.site/t/original/i/51fa95b5a80b617726de162956ca86da4b2f1d9e0230dc859420593ffad024c6/2016_2_3.jpg" data-mid="150771417" border="0" src="https://freight.cargo.site/w/1000/i/51fa95b5a80b617726de162956ca86da4b2f1d9e0230dc859420593ffad024c6/2016_2_3.jpg" /> <img width="2481" height="3509" width_o="2481" height_o="3509" data-src="https://freight.cargo.site/t/original/i/19755d8a39ca59e4a9ee34abfad757d452ece60b19da90c5bd73d122dfcbd3dd/2016_5_06.jpg" data-mid="150771418" border="0" src="https://freight.cargo.site/w/1000/i/19755d8a39ca59e4a9ee34abfad757d452ece60b19da90c5bd73d122dfcbd3dd/2016_5_06.jpg" /> This work was exhibited at&nbsp;Royal College of Art Graduate Show 2022, Battersea South campus.Medium | mixed medium print on polyester film,&nbsp; size: 380 x 2200 mm digtial print on paper with wood sheet, size :&nbsp;210 x 297 x 50 mm <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1b24ceb449a507cefa803fd2040d595dee617f0b26ea518ec30501e58fa0d79e/2016_6.jpg" data-mid="163426877" border="0" src="https://freight.cargo.site/w/1000/i/1b24ceb449a507cefa803fd2040d595dee617f0b26ea518ec30501e58fa0d79e/2016_6.jpg" /><img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/738aec19e31a4c6df054d9ff930723d39e0cc8a68ec6fee3f608a1407f4ed735/2016_7.jpg" data-mid="163426878" border="0" src="https://freight.cargo.site/w/1000/i/738aec19e31a4c6df054d9ff930723d39e0cc8a68ec6fee3f608a1407f4ed735/2016_7.jpg" />&nbsp;&nbsp;<img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5f1f7bc1b9fbc672ab5f1327865613497cac5d56847446e26e88950304cd3298/2016_8.jpg" data-mid="163426879" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/5f1f7bc1b9fbc672ab5f1327865613497cac5d56847446e26e88950304cd3298/2016_8.jpg" /><img width="2268" height="3703" width_o="2268" height_o="3703" data-src="https://freight.cargo.site/t/original/i/a489d0077fbc8121d5c09be0440df568cc194d797b0e8cfa1dd9aedc27f5be62/2016_9.jpg" data-mid="163426880" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/a489d0077fbc8121d5c09be0440df568cc194d797b0e8cfa1dd9aedc27f5be62/2016_9.jpg" /> https://peiyaochang.com/a-figure-figures Thu, 18 Aug 2022 06:52:18 +0000 Pei-Yao Chang https://peiyaochang.com/a-figure-figures a figure, figures2022Risograph on Paper, Digital print on Paper297x420 mm, 420x594mm A Figure, Figures is a series of Risographs – both a data visualization and a pun. The title plays on the polysemous meanings of the word figure, as both “shape” and “monetary value” which is thus deconstructed and transformed from one of many visual amenity valuation tools, The Helliwell System.[1] This artwork aspires to reveal the evaluation workflow through a monetary value and provokes us to consider the limitations of how humans assess the value of a tree.The extension of this work, ‘A&nbsp;Figure, Figures II’, was presented at the Royal College of Art Graduate Show 2022, Battersea South campus. [1] Arboricultural Association, VISUAL AMENITY VALUATION OF TREES AND WOODLANDS - The Helliwell System 2008 (Arboricultural Association, 2008) ︎[2016] UKUT 300 (LC) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;︎a tree, a stone, a cloud ︎︎︎ back to ‘a reconciliation’ &nbsp;&nbsp; <img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/12cce75138fffe8c2bf92e4111b01997aa819ee2d1fe422f96a6c131140821e9/figures_01.jpg" data-mid="150771611" border="0" src="https://freight.cargo.site/w/1000/i/12cce75138fffe8c2bf92e4111b01997aa819ee2d1fe422f96a6c131140821e9/figures_01.jpg" /><img width="3509" height="2481" width_o="3509" height_o="2481" data-src="https://freight.cargo.site/t/original/i/909aeb22072714a83c409b3da133218dc59aa5ab13cecd5aff2d4b4551c3c809/Figures_10.jpg" data-mid="150771684" border="0" src="https://freight.cargo.site/w/1000/i/909aeb22072714a83c409b3da133218dc59aa5ab13cecd5aff2d4b4551c3c809/Figures_10.jpg" /><img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/52bbbf35c0436434b0b9ece3c4ad62290cb4bf61df32c01987e6548589178081/figures_05.jpg" data-mid="150771685" border="0" src="https://freight.cargo.site/w/1000/i/52bbbf35c0436434b0b9ece3c4ad62290cb4bf61df32c01987e6548589178081/figures_05.jpg" /><img width="3936" height="2216" width_o="3936" height_o="2216" data-src="https://freight.cargo.site/t/original/i/a29761d26537f9f282a0c114a821f24afb8c5fce84d00f00f7b57e41f51620dd/figures_03.jpg" data-mid="150771686" border="0" src="https://freight.cargo.site/w/1000/i/a29761d26537f9f282a0c114a821f24afb8c5fce84d00f00f7b57e41f51620dd/figures_03.jpg" />